Videography pricing gets clearer when you break the job into pre-production, production, and post. A half-day shoot can still require location planning, scripting, shot lists, file wrangling, and 12-20 hours of editing, so quoting only a shoot-day number is how videographers end up underpaid. If your day rate is $900 but post takes three more days, the real project fee probably belongs in the $2,500-$4,000 range, not under $1,500.
Equipment and crew should not come out of your labor margin. Cameras, lenses, lighting, audio kits, storage, music licensing, and second shooters should be line items or marked up pass-through costs, especially on commercial work. Even a lean setup can burn $8,000-$15,000 per year once you factor repairs, replacements, insurance, and software.
Revision control is non-negotiable in video because every extra version eats hours fast. Spell out how many edit rounds are included, whether captioned cutdowns or vertical exports are separate deliverables, and what turnaround qualifies as rush. Clients asking for three aspect ratios, five cutdowns, and next-day delivery should pay materially more than the original edit quote.